1. When Bulldozer ืืฉืืืคืืจ
2. Blotted Out Hooligans ืืืืืื ืื ืืืืงืื
3. Maminka ืืืืื ืงื
4. Hebron - Gola-Goola ืืืจืื - ืืืื-ืืื
5. Stone ืืื
6. Lady of Kinnereth ืืืืจืช ืืื ืจืช
7. Star ืืืื
1997 - ORIEL 31, Newtown Wales, Feb.15 FIT TO STAND THE GAZE OF MILLIONS
room installation
Curators: Elaine Marshall, Michael Nixon
1997 - U.W.I.C Howard Gardens Gallery, Cardiff, Ap. FIT TO STAND THE GAZE OF MILLIONS, version 2 room installation
Curator: Walt Warrilow.
1997 - ORIEL 31, Newtown Wales, Feb.15 FIT TO STAND THE GAZE OF MILLIONS
room installation
Curators: Elaine Marshall, Michael Nixon
1997 - U.W.I.C Howard Gardens Gallery, Cardiff, Ap. FIT TO STAND THE GAZE OF MILLIONS, version 2 room installation
Curator: Walt Warrilow.
1997 - ORIEL 31, Newtown Wales, Feb.15 FIT TO STAND THE GAZE OF MILLIONS
room installation
Curators: Elaine Marshall, Michael Nixon
1997 - U.W.I.C Howard Gardens Gallery, Cardiff, Ap. FIT TO STAND THE GAZE OF MILLIONS, version 2 room installation
Curator: Walt Warrilow.
1997 - ORIEL 31, Newtown Wales, Feb.15 FIT TO STAND THE GAZE OF MILLIONS
room installation
Curators: Elaine Marshall, Michael Nixon
1997 - U.W.I.C Howard Gardens Gallery, Cardiff, Ap. FIT TO STAND THE GAZE OF MILLIONS, version 2 room installation
Curator: Walt Warrilow.
1997 - ORIEL 31, Newtown Wales, Feb.15 FIT TO STAND THE GAZE OF MILLIONS
room installation
Curators: Elaine Marshall, Michael Nixon
1997 - U.W.I.C Howard Gardens Gallery, Cardiff, Ap. FIT TO STAND THE GAZE OF MILLIONS, version 2 room installation
Curator: Walt Warrilow.
1997 - ORIEL 31, Newtown Wales, Feb.15 FIT TO STAND THE GAZE OF MILLIONS
room installation
Curators: Elaine Marshall, Michael Nixon
1997 - U.W.I.C Howard Gardens Gallery, Cardiff, Ap. FIT TO STAND THE GAZE OF MILLIONS, version 2 room installation
Curator: Walt Warrilow.
Perhaps it is no coincidence that the horse's tail is also used for making paintbrushes Avi Lubin, October 2017
Imagination is the pilgrim on the earth and its home is in heaven: Tamar Getter's Grotesques by H.S.L.R. 2001
Caught Between Utopias Getter on architect Bickels, The Museum of Art, EIN HAROD 1998
Tamar Getter
ืฉืืงื ืืืช: Actresses
ืจืื ืืืืกืื Rachel Dobson ืชืืืื ืื ืื Tchiya Danon
ืืืืจื ืืจื Mayrav Gerry ืืืงื ืืจืืืจ Miki Marmor
ืฆืืืืืื - ืืืฉืืงื ืืจืคืืจ Photography : Moshiko Draphler
ืืขืงืื ืืืืจ Jacob agor
The Haifa Theatre Archive ืืจืืืื ืชืืืืจืื ืืืคื
The Tel-Aviv University Archive ืืจืืืื ืืื ืืืจืกืืืช ืชื-ืืืื
ืืงื - ืชืืจ ืืืจ ืืืื ืชืืืจืงืื Model – Tamar Getter Igal Tumarkin
ืฆืืืืื ืืงื – ืชืืจ ืืืจ Model Photograohy - Tamar Getter
ืืชืื ืขืืชืื ื'ืืจืฅ' 12 ืคืืจืืืจ 1981
ืืืกืืจืช ื ืืกืืื ื ืฉื ืชืืืืจืื ืืืคื ืืงืื ืืืืืื ืฆืขืืจืื ืฉืืชืืืืื ืขื ืืืืจ ืืงืืจื, ืืฆืจื ืืืืืืืช ืืกืชืจ ืืืืืืฆืงื ืืืฉืืงื ืืืช ืจืื ืืืืกืื, ืชืืื ืื ืื, ืืืงื ืืจืืืจ, ืืืืจื ืืจื ืืช ืืืืื ืืชืขืืื ืขื ื ืฉืืช ืืขืืื ืืฉื ืื ืืืฉืืืช ืืืืฆืืช ืขื ืืฆืฅ . ืืืืื ื ืืฆืจ ืชืื-ืืื ืขืืืืช ืืืืชืืจ, ืืืื ืืขืื ืขื ืืืืื ืื ืจืื ืจืง ืืืืฆืข ืืคืจืื. ืืื ืชืืื ืืืงืจื ืืฉืืงื ืืืช ืืืืืืืืช ืืืฆืจ ืืื ืจืช, ืืื ืืชืื ื ืืช ืืืชื ืกืืช ืืืื ืืืื ืืขืืืืืช ืฉืื, ืืชืงืืื ืืชืคืืก ืืฉืื ืื ืืืืื ืื ืืื ืืืืืจืืช ืืืืื. ืืืืืจ ืืืืื ื ืืกืฃ ืขื-ืืื ืืกืชืจ ืืืืืืฆืงื ืืืจืืืื ืื ืืืฆื ืืฉืคืืืช ืืืื ืื, ืืืื ืืืจืื ืืืืชืืื, ืจืฉืืืืช, ืืืืื ืื. "ืื ืื ืืืื ื ืกืืื ืืฉืืืืืจ ืจืืืืืกืื ื ืืกืืืื, ืืื ื ืืกืืื ืืืืคืืฉ ืขื ืืกืคืืจืื ืืืืืืื ืืืืื ืื ืืืืืชืืื", ืืืืจืช ืืกืชืจ ืืืืืืฆืงื. "ืื ืฉืืงืจื ืขื ืืืืื – ืืืื ืืืคืืฉ ืฉื ืืจืืข ืฉืืงื ืืืช ืืฉื ืืช ืืฉืืื ืื ืขื ืืืืจ ืื. ืื ืืืื ืงืืืื' ืฉื ืืืืืืื ืชืืืืจืืืื ืืฉื ืืื ืืืืืื, ืืกืื ืื ืืช ืฉืื ืื. ืืฆื ื ืืกืืื ืืช ืฉืืืืืจ ืืืคืืขื ืงืืขืื ืื ืืืจืื, ืชืืืืจืืืื. ืืืฉื: ืืืืช ืืกืืืืช ืืืขืืืช ืขื ืืืืื ืขื-ืืื ืืจืืข ืืฉืืงื ืืืช ืืืืคื ืกืืืืืื ื, ืืฉืื ืืืช ืืื ืืขืื ืืกืคืงื ืืืจ ืฉื ืืืืืช. ืื ืืืง ืืชืืืื ืืืืคืืฉ".