1997 - ORIEL 31, Newtown Wales, Feb.15 FIT TO STAND THE GAZE OF MILLIONS
room installation
Curators: Elaine Marshall, Michael Nixon
1997 - U.W.I.C Howard Gardens Gallery, Cardiff, Ap. FIT TO STAND THE GAZE OF MILLIONS, version 2 room installation
Curator: Walt Warrilow.
1997 - ORIEL 31, Newtown Wales, Feb.15 FIT TO STAND THE GAZE OF MILLIONS
room installation
Curators: Elaine Marshall, Michael Nixon
1997 - U.W.I.C Howard Gardens Gallery, Cardiff, Ap. FIT TO STAND THE GAZE OF MILLIONS, version 2 room installation
Curator: Walt Warrilow.
1997 - ORIEL 31, Newtown Wales, Feb.15 FIT TO STAND THE GAZE OF MILLIONS
room installation
Curators: Elaine Marshall, Michael Nixon
1997 - U.W.I.C Howard Gardens Gallery, Cardiff, Ap. FIT TO STAND THE GAZE OF MILLIONS, version 2 room installation
Curator: Walt Warrilow.
1997 - ORIEL 31, Newtown Wales, Feb.15 FIT TO STAND THE GAZE OF MILLIONS
room installation
Curators: Elaine Marshall, Michael Nixon
1997 - U.W.I.C Howard Gardens Gallery, Cardiff, Ap. FIT TO STAND THE GAZE OF MILLIONS, version 2 room installation
Curator: Walt Warrilow.
1997 - ORIEL 31, Newtown Wales, Feb.15 FIT TO STAND THE GAZE OF MILLIONS
room installation
Curators: Elaine Marshall, Michael Nixon
1997 - U.W.I.C Howard Gardens Gallery, Cardiff, Ap. FIT TO STAND THE GAZE OF MILLIONS, version 2 room installation
Curator: Walt Warrilow.
1997 - ORIEL 31, Newtown Wales, Feb.15 FIT TO STAND THE GAZE OF MILLIONS
room installation
Curators: Elaine Marshall, Michael Nixon
1997 - U.W.I.C Howard Gardens Gallery, Cardiff, Ap. FIT TO STAND THE GAZE OF MILLIONS, version 2 room installation
Curator: Walt Warrilow.
Perhaps it is no coincidence that the horse's tail is also used for making paintbrushes Avi Lubin, October 2017
Imagination is the pilgrim on the earth and its home is in heaven: Tamar Getter's Grotesques by H.S.L.R. 2001
Caught Between Utopias Getter on architect Bickels, The Museum of Art, EIN HAROD 1998
Tamar Getter
each
Chalices and Corpses, 2009
W13.00 x H3.10 m. each wall
A. LEFT CHALICE:
Mason-plummet (sniped) study of a computer model after perspective study of a chalice by Uccello.
Metal-powder on cotton-polyester sheet.
B. RIGHT CHALICE:
Free-hand study of Uccello's perspective study of a chalice.
Charcoal on cotton-polyester sheet.
Computer model: architect, Hagai Nagar
Assistant: Inbal Wasserman
גביעים וגוויות, 2009 אולם זאקס
W13.00 x H3.10 m. כל קירl
א. גביע שמאלי:
רישום (צלוף) באנך-בנאים של מודל מחשב על פי תרשים פרספקטיבי של גביע מאת אוצ'לו.
אבקת מתכת על יריעת כותנה-פוליאסטר.
ב. גביע ימני:
רישום ידני חופשי של תרשים פרספקטיבי של גביע מאת אוצ'לו. פחם על יריעת כותנה-פוליאסטר.
מודל מחשב: ארכיטקט חגי נגר
אסיסטנטית: ענבל ווסרמן
